Stolen from the Interwebs |
Although The Strokes' fifth album The Comedown Machine isn't officially released in its entirety until March 26th of this year, they have released two songs off of the album that I would love to share with you all. On a completely unrelated side note, I started thinking of what a fifth album would be called in terms of class year.... you know: first album, sophomore album, junior album, senior album.... then what? I think it should be called a "PG album" (i.e. post graduate album). Do you think that will fly? Cause when I Googled "PG album," the first searches I got were for Peter Gabriel albums. Maybe a fifth album release should just be called "Peter Gabriel albums" because he's pretty terrific.
Back to The Strokes. They are my favorite band. Not because I love every single one of their songs (believe me, there a couple dogs in there... cough Fear of Sleep...cough. Seriously, it sounds like Casablancas is piss drunk and couldn't come up with more lyrics than "fear of sleep" after a certain point), but I love the drunkenness-falsetto-rock-man-thing. Julian Casablancas wears it well under his big ole sunglasses. Secretly he works at Sunglasses Hut and gets drunk and sings with his friends... or at least that's what I dream he does. WOW. OKAY.
Also from the internet. I only wish I was this close to them. |
So the two songs that have been released off of their new album The Comedown Machine are "All The Time" and "One Way Trigger". "All The Time" sounds like an outtake from their sophomore album Room on Fire since it has an uptempo "driving in a tour bus" vibe going on. What I've noticed about The Strokes as their sound matures is that their uptempo beats have aged as well. Even when one of their songs is fast paced, it seems that they are still going in slightly slower motion than some of the younger albums' songs. It's like listening to a radio version of a song and then listening to the original, only to realize it's supposed to be played slower. You just got so used to the version you initially heard that the slower "regular" version just sounds weird to you now. It's not a bad thing or a good thing, it's just a noticeable difference.
With both songs you hear the lads dealing with more mature issues. In "All The Time" Julian questions the stability of a relationship by singing, "Do you want what I want too? All the time in the world is all that's necessary." It's not mere coincidence that in both released songs, he battles long-term relationship woes. In "One Way Trigger" Casablancas croons in his falsetto, "Find a job, find a friend, find a home, find a dog, settle down, out of town, find a dream, shut it down" and I can't help but wonder whether he and his bandmates are getting pressured by their significant others to "shut it down." They are rock n' rollers and will do no such thing. The fact that this approach to their writing is so different from the penetration-romance genre that I initially fell in love with makes me nostalgic for the good old days. They're all older, in relationships, and contemplating their 30's. It only seems reasonable that their music should echo this. I guess this just depresses me because like romances, their albums were so exciting and unpredictable in the beginning. I only hope that the boys stick in one or two songs about going to the bathroom to poon a lady. That being said, I wait with baited breath for the rest of the album. Also, I will forever love The Strokes. The end.